Amazing that they had Morbid Angel guests on here i.e. I have been listening to this record for a week straight. Ohren hat, wenn ihr Name fällt. II, for the music quality, the production (all hail to Scoot Burns) and the incredible violence. The lyrics are, as usual in grind music, about religion, politics, war and social problems. was them morphing, with metal riffs, political outrage, insane speed, but then they fumbled the ball. His music started a genre...but that doesn’t make him the best example of the genre in the same way that the first car ever built was not the best one ever built. However, don't let their ignorance mislead you. This album was the fastest thing I'd ever heard at the time, and Pete Sandoval outdid himself! Rated #33 in the best albums of 1989, and #1974 of all-time album.. I … This was no good idea, but fortunately another story. It also foreshadowed what Brutual Truth would later achieve, with high speed bursts where the musicians seem to completely lose control of the music, only to pull it back from the brink with a pounding d-beat or mid paced ¾ rhythm. Indeed, there is a barbaric component in the music that teaches the listener the meaning of archaic cruelty, albeit Garcia's hostile growling deals with modern conflicts. The thrash genre can only get so heavy or so brutal before it completely evolved into something entirely different. TERRORIZER may never again reach the levels of their legendary debut album, World Downfall, but times have changed, and this band have also changed massively. Jesse Pintado's guitar is thick and nasty, with head-splitting heaviness and a low death metal pitch. The vocals are low and fit perfectly with the guitar tone and overall speed and urgency. Ein Umstand, der der Band aber mehr als gut steht. Oh, man, do I like how the first song here, “Turbulence”, starts, Terrorizer immediately sounding more vital, more alive, more grind, than they have since their classic 1989 World Downfall debut. The blastbeats sound like a machine gun firing as the guitar riffs take hold. The drums (Pete Sandoval, recorded in transition just as he was joining Morbid Angel) are pure Dave Lombardo on helium with full knowledge and mastery of the Repulsion/Napalm Death method of grindcraft. This is underpinned by a rock solid rhythm section made up of David Vincent and Pete Sandoval’s controlled barrage. A pillar of the genre, it's re-release (on vinyl) celebrates some of extreme metal's biggest riffs, and biggest names. At it's time of release, the speed of the music on this album was almost unheard of, with only a few bands, like Napalm Death, Carcass, and Extreme Noise Terror doing anything which even came close. But the band has even more to offer. Does This Dream Slow Down, Until It Stops? A … I definitely think that he was the reason why ND hacked it on repeated efforts. The production is amazing, sincerely one of the few decent old school Grind production I’ve ever heard, if not the only one. Sometimes the band sounds like a brutal death metal one for the intensity and violence and all the members do a very good job. 1. Whenever a band like Terrorizer drops an album, I always wonder if their material gets by on individual merit or on legacy alone.World Downfall is rightly regarded as one of the first and greatest examples of death/grind and has remained a staple in any worthy metalhead’s collection. 2020-11-01 SilentScream213. He was more than capable as a guitarist to really put out some really awesome riffs. Ladies and gentlemen, boys and girls, metalheads and metalheadesses, death/grind supergroup Terrorizer's one and only album to date is such a record. They should be remembered as one of the grindcore greats for good reason. Rated #33 in the best albums of … "World Downfall" kind of sounds like Napalm Death, circa 1987 (the "Scum" era), except these songs are longer and David's vocals are much more constipated. Probably Scott Burns' best. One of the landmark albums of the late-'80s grindcore uprising, World Downfall is nonetheless one of the least known, because the band only existed long enough to record this one Earache release. Starting from After World Obliteration song (one of the most famous with Fear of Napalm) ‘till the title track at the end of the album, the band plays fast, brutal and compact; 16 tracks to show everybody their supremacy in this kind of music. Genres: Deathgrind, Grindcore. We are not talking about Napalm Death’s “Scum”(1987) or Defecation’s “Purity Dilution”(1989); even if those bands were innovators, they had not the same quality of this band. Too bad that Terrorizer broke the silence after 17 years. Looking at the individual members, Oscar Garcia (of Nausea) takes lead vocals, sounding like a cross between John Trady and (early) Max Cavalera. Verified Purchase. World Downfall, an Album by Terrorizer. Kill The Client’s “Cleptocracy” has the what the fuck?!? 이미 Napalm Death의 [Scum]이 나온 뒤의 앨범이라지만 [World Downfall]은 [Scum] 수준의 가치가 된다고 생각되는 앨범이다. The slightly dull sound adds a dark colour to the compositions, but the riffs themselves also spread sinister intentions. After all this years, this is still the best grindcore (deathgrind) release. 5.0 out of 5 stars Avatara's review of Terrorizer "World Downfall". Operationally, they all have the same effect. Terrorizer - World Downfall Review. Reviewer: 휘루. BAND-MAID / Warning! Rating: 85/100. There's no point going into individual tracks, they're all excellent. This one was of the first records Scott Burns engineered, and he gave it a great sound, crisp, perfect. Genres: Deathgrind, Grindcore. This is one of those albums that sounds like the cover art. It's just damn near perfect. I find it impossible to criticize this album, as it doesn't ever get old or overstay it's welcome. Awesome death/grind, even though I was never a big fan of the vocals, they still had an all-star lineup and musical output. The sound is strong, clean and you can hear each instruments very well: crushing guitars, bone jarring bass, bulldozer drums and sick vocals. 30 years old and not a bit tired: Congratulations! So in that respect, they're all over the place. Both those guys are widely recognized for their talents as individuals since then ("World Downfall" was released in 1989), but this is so much more simple, compact, explosive. That's really the beauty of this album; in spite of all the sonic chaos and battling between the guitars and drums for prominence, an unshakable balance is established through the mix, resulting in something that is arguably the best production job for an extreme album in the entirety of the 80s. Immediately after its final tones had vanished, it was quite clear that this was a once-in-a-lifetime work. "World Downfall" sounds coarse and vicious, rebellious and nasty. So yeah, Terrorizer wasn't around for too long, then of course the ultimate death of Jesse will never have them remain as a band. It's a shame that the band split up around the time of World Downfall's release. Whirlwind Struggle 14. His blasts are very tight and precise, but his double bass work during more midpaced moments is also top notch. I bought this album expecting to have my ass handed to me, but no - I was disappointed by a dry production that seems to rob the music of all it’s fury and chaos, instead making it sound sterile. That’s not to say this is a bad album, Because it isn’t. World Downfall [Vinyl] TERRORIZER: Amazon.sg: Music. Listen to the many drum fills on the opening track, or any other for that matter. Terrorizer's World Downfall is epic seminal grindcore. Which ironically makes me real cheery. This album is probably the best grindcore album ever. Pete Sandoval's drumming ensures - where necessary - that no one leaves alive. That doesn't mean that he didn't know what he was doing on this effort, it just means that there's variety. Fear Of Napalm 4. There are not 20 seconds songs and every track has a refrain that captures you, so as to mark out each one of them. MOSH 16; Vinyl LP). Reviewed in the United Kingdom on 8 January 2015. 다른 무슨 설명이 필요한가?? Garcia's vocals on this record are great and they mesh perfectly with the music, even when the songs are reaching tempos beyond comprehension thanks to Sandoval, whose drumming is another highlight of "World Downfall." It's a genre where vocals are more an instrument than a medium for delivering lyrics. David Vincent plays a crushing, ultra-distorted bass, though his playing typically follows the guitar except on a few occasions. Was its name the impulse for Jesse Pintado (R.I.P.) Terrorizer’s “World Downfall” does not. Note: 8.50 Redakteur: Michael Meyer But it's that blast beat and those shredding six-strings everywhere else that define the album. Pig Destroyer’s “Prowler In The Yard” has the what the fuck?!? A masterwork of the metal genre. Of course, very intelligent minds can blame the full-length for its monotony, but I beg to differ. Featured peformers: Pete Sandoval (drums), David Vincent (bass guitar, vocals, producer), Oscar Garcia (vocals), Jesse Pintado (lead guitar), Scott Burns (engineer). Terrorizer's vocals are some of the clearer ones you will ever encounter in grindcore. This album does and will continue to prove to legions of metalheads that grindcore has a permanent place in metal and can't always be taken lightly. [Scum]은 기념비작 + 정통 Grindcore.. "Corporation Pull-In" is another good one, and the lyrics are very politically-fuelled, like many of the other songs on the album. It's got a pretty decent production sound here with Earache, where most top notch bands in this era originated. This may not cover much new ground or be massively original, but at what they do they are damn good and you don’t want anything else from a band like TERRORIZER. Before 'World Downfall', Grindcore as a genre was often dismissed as noise because it was often poorly executed, and always badly produced. World Downfall is by far my favorite Grindcore album of the 80’s. TERRORIZER sind seit „Darker Days Ahead“ nicht mehr die TERRORIZER, die man vor Augen bzw. The guitars are thick and dense, the drums are decent, and the bass is as ugly and fuzzed out as the guitar is, a GOOD thing, especially when the bass is manned by the one and only David "Evil D" Vincent. Drummer Pete "Commando" Sandoval and bass player/vocalist David Vincent both played with Morbid Angel, while guitarist Jesse Pintado later joined Napalm Death. In fact, it has got to be one of the most important metal albums in the history of extreme music. Account & Lists Account Returns & Orders. This release sounds like early Napalm Death, but less punky and more closer to death, thus reaching perfection. Personally I just find this band mediocre. Oscar Garcia has a deep, harsh growl (about halfway between Jeff Becerra and Symphonies of Sickness-era Jeff Walker) that really sets the atmosphere of death and despair, two of the more dominant lyrical subjects on here. Sandoval proves why he is the all time God of death/grind drumming on this album with his mind-boggling performance--he sounds like an octopus that's been well-trained. The level and rapidity of the blast work on this album has been subject to heavy emulation in the years since, and manages to rival even what Flo Mounier would accomplish in the mid 90s with Cryptopsy. Musically I think Jesse did a lot of great riff-writing here, even though there were 16 tracks and it was an under 40 minute release. Terrorizer is sort of a continuation of where DRI might have gone but for fortune... Quickly, the DRI story: DRI's masterpiece, "Dealing With It!," came out in 1985... Up til that point DRI was the ultimate crossover band. They deserve a lot of respect for this album. Edit Release All Versions of this Release New Submission . The perfect combination of grindcore and death metal awaits you. No other "grind" albums save "Horrified" even deserve to be mentioned in the same sentence. Read and write album reviews for World Downfall - Terrorizer on AllMusic The German bands were pushing the limits with their spastic approach to the genre, and then there are the proto-death metal bands, but there were also those crazy bunch of punks in the UK who really loved their hardcore punk, but much like the thrash acts, they needed something more extreme. 'World Downfall' is a classic. Resurrection 9. This album can seem like a cyclonic blur from start to finish on first listen, with almost every track of the same consistency, but that's not to say they all sound the same. The same thing can be said of Terrorizer – influential, fuck yeah. Repeatedly. I don’t like silly/humorous music, which a fair portion of Grindcore is. The drums are solid, and the bass drums have a distinct thump rather than the hated "clicking" that would soon become a Scott Burns trademark. Usually the songs are not so short like the other ones in some grind bands and this shows the group’s most death metal side. His grunts are clear enough to be understood, yet ferocious enough to make emo kids recoil in shock. 'World Downfall' is one of those albums often namedropped by Extreme Metal fans to grab a little kudos among their peers, and so they should. factor. Pintado and Sandoval play together like separated siamese twins. To make an entirely accurate comparison of this album, I would call this record the grind equivalent of "Reign in Blood." It’s become really clear to me why most Grindcore doesn’t do it for me while Terrorizer kicks ass. Infestation 15. Following up 1989’s World Downfall, 2006’s Darker Days Ahead (which featured the late and fucking great Jesse Pintado – R.I.P brother) and 2012’s Hordes of Zombies, can Caustic Attack pulverize the… There is still little room for subtlety. Need To Live 11. It’s both a great piece of grind in its own right, but it also set a new precedent for precision and technical competence within this proudly punk genre. Human Prey 5. I actually enjoy some of their later releases a lot more than this one. Despite every song sounding rather similar with the same pattern of midpaced riffs that could break even George "Corpsegrinder's" tree-trunk of a neck and some highly thrashy riffs pushed to the limit by Sandoval's intense and relentless drumming, every song is memorable and manages to stand out. Rating: 80/100. Jesse just ripped and a lot of what he did is set the tone for the tempos, David Vincent helping out filling in on bass. 1. There was nothing metal at all about early DRI, it was strictly ultra-fast hardcore punk. It was announced earlier this year that they were reforming to record another album, and with a line-up of this calibre it's hard to see how it could be anything other than awesome. I think that Jesse had a good idea of what he wanted to do with this mix and Oscar on vocals just uttering few words per song. The great mystique of this album is how utterly massive and nearly flawless it sounds in spite of being recorded and mixed in a mere 8 hours. But to me the fact that it is influential doesn’t mean that much – just because it was massively influential does not mean that it cannot be surpassed. Carcass’s “Reek Of Putrefaction” has the what the fuck?!? The death/grind is reminiscent of Napalm Death's 'From Enslavement To Obliteration' and 'Scum', not surprising that they recruited him as guitarist on their future releases, ND I'm referring to. Wie gesagt, bleibt "World Downfall" wohl auf alle Zeiten unerreicht, das neue Werk zeigt aber, dass mit TERRORIZER immer noch - oder wieder - zu rechnen sein dürfte. World Downfall is by far my favorite Grindcore album of the 80’s. World Downfall is one such record. Fantastic and made all the more powerful by how tight it is. It’s a good one. Jimi Hendrix is hugely influential. lautet das Motto seit irgendeinem Dezembertag, an dem ich erstmals die "World Downfall"-CD in den Schacht des Players schob. This album lacks that sense of chaos and blitzkrieg fury. Standing head and decomposing shoulders above the rest of the album though is the legendary "Dead Shall Rise". Grindcore was a real game changer for extreme metal. A classic, pure and simple. The Terrorizer that most people know and love to this day was an ‘after the fact’ funnel of the best ideas from that bank of songwriting between ’86 and ’88 with some additional songs pulled from Nausea and refined in the form of ‘World Downfall’ (1989). It also put Pintado’s style on the map as a benchmark in extreme metal, and predicted the Napalm Death that would follow in this album’s wake. In any grindcore top ten this will always appear in the top 5 somewhere, and it’s easy to understand why – I mean Jesus, in grindcore circles, this thing is second only to “Scum” and “Horrified” in terms of influence. Your "World Downfall" equation is thusly: outrage at the system plus power-chord fury plus hyperspeed plus absolutely mind-blowing drums = oh my fucking god. He basically made this band. I don’t know, man, how does a grind/death fan objectively review a new TERRORIZER album in 2012? EMUSIC TOKEN. The name of this project was Terrorizer, and its heavily consequential debut "World Downfall" stands as one of the crowning achievements of the 80s push for a truly vicious sound. Killing Songs: All are great, personal favourites are: Fear Of Napalm, Resurrection, Injustice, Whirlwind Struggle and Dead Shall Rise. And it is remarkably precise when compared to the Napalm Deaths and Carcasses of the same era. Suddenly and without warning, Terrorizer fired a massive shot into the hungry crowd of extreme metal maniacs. It doesn't happen very often, but when it does one is seized from the very first listen, and continues to be captivated every time it is played, never getting tired of it. factor”. Scott Burns, honing the techniques required for extreme metal, produces a razor sharp sound that captures every bass hit and allows the snare to cut through perfectly. His playing is mind-boggling; hyper-fast, yet incredibly precise. The typhoon of negativity is irresistible and the band lives up to its name. Terrorizer's secret of success was the band members could actually play their instruments. The first thing that makes this album a kicking-ass release are the drums: Sandoval shows what the word “drumming” means with his great technique and “in-your-face” blast beats, both unusual in a genre where almost all drummers just hit the drums as fast as they can and in a monotone way, without any sign of creativity; the anger-filled vocals by Garcia and the killing riffs by Vincent and Pintado do the rest. The instrumental parts leave a trail of devastation and it goes without saying that the barking of Garcia does not provide relief. Terrorizer played grind, but not so fast that it was a blur all the time; they had slower riffs with a more punk feel mixed in, and this is what makes this album such a deadly force to this day--the fact that they have dynamics and actual songs and riffs as opposed to mindless blasting and sludgy downtuned guitars that are so low you can't make out any riffs. They work with high precision - but exactly this precision in details opens the door to a sometimes confusing and more or less chaotic overall impression. First of all, they're not all about blast beating. An album you need to listen to or forever be considered a poseur. Part of this can be attributed to the mechanized precision and inhuman ferocity of Pete Sandoval's kit work, which is actually even more intense and unrelenting than the insanity that he displayed on "Altars Of Madness". Jesse Pintado's guitar-throttling is equally raging if not moreso. His relentless blasting was as tight and lethal as it got for me and not much else tops it to this day. to revitalize the band in 2005? World Downfall, an Album by Terrorizer. But whatever limitations it places on music, its appeal has remained surprisingly durable. 2021, Who can we expect new albums from this year? It captured black lightning in a whiskey bottle and was a truly special release. And the funny thing is here, the vocalist was the most familiar with the songs because most of them were from his other band Nausea. It's a stand-alone document of its time, second to none and an awe-inspiring monument. I have been searching in vain for another record to scratch the itch that this record scratches. The maximally intensive triple strike of "Human Prey", "Corporation Pull-In" and "Strategic Warheads" marks the orgasmic climax of the album, but the remaining material ignites a conflagration as well. In fact, it has got to be one of the most important metal albums in the history of extreme music. Early Earache releases are prized by extreme metal fans for being classics of the genre, and World Downfall is no exception. It's sort of a rabid proto-death/proto-crust vomit-grunt. There is a big difference between a quite good album and a masterpiece, and World Downfall definitely is. Either way, Terrorizer know the rules of grindcore and spread left-wing dogmas. You can hear everything that’s going on happening in an orderly fashion...and that’s just not right, because at no point do you end up staring at the speakers wondering what the hell it was that just fucking happened - World Downfall is missing the “what the fuck?!? Terrorizer: World Downfall ‎ (Cass, Album) Earache: MOSH 16MC: UK: 1989: Sell This Version: Recommendations Reviews Add Review [r2584177] Release. Cart All. After World Obliteration 2. Genres: Deathgrind, Grindcore. 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